“I grew up understanding my Vietnamese identity a lot through food. I think a lot of people within diasporic communities could relate to understanding their specific community through food – through this flavor, this taste, this love and tender care that goes into the food.”
— filmmaker Melanie Ho, whose documentary ‘my mom (mẹ con)’ is now streaming via WORLD Channel.
“It would be cool if people saw this film and then say Hickory is a mecca for Asian America.” — filmmaker Nash Consing
CAAM has partnered with Asian American Documentary Network (A-Doc) and WORLD Channel to present “Asian American Stories of Resilience and Beyond” premiering Tuesdays on PBS and WORLD Channel’s YouTube starting May 3.
Since the mid-1800s, Asian immigrants have been a driving force of economic development in the United States. Many arrived in the country to advance…
CAAM funded “Drawn Together” and “Jaddoland” make their broadcast premieres, along with a full slate of documentary programming for Asian Pacific American Heritage Month.
Asian Americans and our allies present thought-provoking dialogue on solutions in the context of filmmaking, and to ensure filmmakers of color remain independent. Panelists: Tilane Jones, Marya Bangee, Abigail Disney, Karim Amer, and moderated by David Magdael.
It’s not too late to catch these films, now streaming on WORLD Channel and PBS! And catch the new podcast everyone is talking about,…
The 8 billion dollar nail industry is more than just polish on your fingers.
“Pacific Heartbeat” Season 8 Films includes “Prison Songs,” “Leitis in Waiting,” “Te Kuhane o te Tupuna,” and “Corridor Four.”
“We are proud to present these compelling stories to the public, stories that bridge cultural divides, and that promote greater empathy and understanding of America’s diversity,” said CAAM Executive Director Stephen Gong.
Witness the intimate story of trailblazing Cambodian American women who break decades of silence to resurrect the memory of their loved ones before the UN Special Tribunal prosecuting the Khmer Rouge.
As a young, black Muslim American girl, Mikel didn’t always feel welcome in her own religious circles. In the poem, she writes that her black skin color was “a sign of dirt.”