20 Things to Watch and Listen To In Celebration of Asian American and Pacific Islanders
It’s not too late to catch these films, now streaming on WORLD Channel and PBS! And catch the new podcast everyone is talking about,…
It’s not too late to catch these films, now streaming on WORLD Channel and PBS! And catch the new podcast everyone is talking about,…
In a time where a shift in who and what stories appear onscreen is happening, Bloom feels optimistic in that the industry is getting there.
Listen and subscribe through your favorite podcast app, or at selfevidentshow.com.
CAAM presented 13 world premieres, 2 North American premieres, 3 US premieres, 10 West Coast premieres, and 37 Bay Area premieres. Over 20,000 festival goers attending screenings all over the Bay.
“Family conflict seasons our reality, but it is also perhaps a hopeful metaphor for nations and indeed our whole Earth.”
Due to the high likelihood of rain forecast for this Saturday, May 18th, 2019, we are moving the 25th anniversary screening of THE JOY LUCK CLUB from Waverly Place to the Chinatown YMCA.
Childhood friends Sasha and Marcus have a falling out and don’t speak for 15 years. But when Sasha, now a celebrity chef in Los Angeles, returns to her hometown of San Francisco to open a new restaurant, she runs into her old pal — a happily complacent musician still living at home and working for his dad.
The series is inspired by Jeff Chang’s essays in his acclaimed book We Gon’ Be Alright, asking: why and how did we become so divided and what can we do now to be alright?
On Saturday, CAAM hosted our 2019 Filmmaker Summit at the Ninth Street Independent Film Center in San Francisco. As participants streamed into the screening…
“CAAMFest is anchor, lifeboat, society, medicine. Food for thought, and food for heart.” – Ravi Chandra
“Yellow Rose,” “Go Back to China,” “Our Time Machine,” “When We Walk” — see who else won at CAAMFest37!
Melton talks about what it was like to be the male romantic lead, what it was like to portray an interracial relationship for a mainstream film, and also his thoughts about humanizing the stories of immigrants in this country.