Presented by the Queer Women of Color Media Arts Project (QWOCMAP) The 4th annual Queer Women of Color Film Festival showcases the explosive stories of our community, from the quick turns of a dyke couple on a mission to conceive to the fierce shimmy of big bodacious babes to the dynamic strut of a queer secret agent, these fly films will let you get down, get funky and get loose!
Watch the latest stories produced by the National Minority Consortia (NMC) Election Initiative fellows. In anticipation of the 2008 Presidential Election, the National Minority Consortia (NMC) presents the Diversity Beat – a multi-platform initiative to incorporate diversity in public media as a central premise to covering a national news event, while also signaling public media’s commitment to diversity in public affairs reporting.
What’s more interesting in a documentary? A story about one person or many? If you capture the lives of four or five individuals, it seems like you would have an interesting mix of narrative threads to follow. But if you follow just one person around, you might not get enough action to fill out your film.
HOLLYWOOD CHINESE starts in Manhattan on May 2 at Quad Cinema. Chat with Tony Award-winning playwright and HOLLYWOOD CHINESE cast member David Henry Hwang in person for post-screening Q & A, May 4, Sunday, 2:50pm screening only. Limited seating, advance tickets advised!
KQED Education Network and the Center for Southeast Asian Studies at UC Berkeley present a screening and discussion of Bolinao 52, a Vietnamese boat people documentary on Thursday, May 1, at 7:00 pm in Sibley Auditorium (Bechtel Engineering Center) on the UC Berkeley campus. This free screening will feature a discussion with the filmmaker Duc Nguyen.
In 1977, director and producer Beth Pielert was sitting in a Hebrew school class reading about Anne Frank who perished in the Holocaust and was told never to let something like the Holocaust happen again. But even at just age seven and 13,000 miles away, genocide was happening all over again in Cambodia.Years later Pielert met a former Nuremberg prosecutor who sparked a theme for a film – people who were creators of justice after a great injustice had occurred. After being introduced to one of the founders of the Yale Cambodian Genocide Studies Program at Yale University, Pielert began researching films that had been made about Cambodia and discovered many detailed accounts of the genocide, but none that explored the forgiveness or reconciliation process – this was 1998.
Fast forward to 2006 where the subjects and characters of Pielert’s documentary, OUT OF THE POISON TREE, take us on a journey toward understanding what happened in Cambodia and how people have come to forgive after ‘The Killing Fields.’ It follows Thida Buth Mam, an American survivor of the Khmer Rouge, as she returns to her home country with hopes of unlocking the mystery of her father’s disappearance in 1975. Mam’s quest intersects with many silent voices: widows, survivors from remote villages, monks and even former perpetrators. Her search for the truth stirs up fractured pieces of one family’s nightmare, unearths an unimaginable heartbreak and ultimately shines light on a people’s broken silence. OUT OF THE POISON TREE is even more relevant today as the Khmer Rouge Tribunal proceedings continue on, prosecuting those who committed serious crimes during the 1975-1979 regime.For more information and related classroom activities, download or print the nine-page OUT OF THE POISON TREE Educator’s Guide . The documentary is available on DVD for educational purchase or rental from CAAM Educational Distribution.For other similar films about Cambodia, check out REFUGEE, THE FLUTE PLAYER and MONKEY DANCE.