“Ethnicity or race is not a genre. Being Asian American is no different from having a story about a white family or any other family, and I think that it shows that as a community, we can tell all kinds of stories of in all different genres.” – Lulu Wang
You can purchase the award-winning film now with simplified and traditional Chinese subtitles.
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Braly talks about how the works of Nick Park and Hayao Miyazaki have inspired him, how childhood trips to Bangkok served as the inspiration for the show, the importance of having a Thai American as the lead character, and how Song played a big role in developing her character.
It’s not too late to catch these films, now streaming on WORLD Channel and PBS! And catch the new podcast everyone is talking about,…
In a time where a shift in who and what stories appear onscreen is happening, Bloom feels optimistic in that the industry is getting there.
CAAM presented 13 world premieres, 2 North American premieres, 3 US premieres, 10 West Coast premieres, and 37 Bay Area premieres. Over 20,000 festival goers attending screenings all over the Bay.
The series is inspired by Jeff Chang’s essays in his acclaimed book We Gon’ Be Alright, asking: why and how did we become so divided and what can we do now to be alright?
On Saturday, CAAM hosted our 2019 Filmmaker Summit at the Ninth Street Independent Film Center in San Francisco. As participants streamed into the screening…
“Yellow Rose,” “Go Back to China,” “Our Time Machine,” “When We Walk” — see who else won at CAAMFest37!
Melton talks about what it was like to be the male romantic lead, what it was like to portray an interracial relationship for a mainstream film, and also his thoughts about humanizing the stories of immigrants in this country.
The 8 billion dollar nail industry is more than just polish on your fingers.