Mayukh Sen’s ‘Love, Queenie’ Clarifies Merle Oberon’s Mixed Race Legacy
In 1936, actress Merle Oberon was nominated for her role as Kitty Vane in The Dark Angel, at the Eighth Annual Academy Awards. Eighty-seven…
In 1936, actress Merle Oberon was nominated for her role as Kitty Vane in The Dark Angel, at the Eighth Annual Academy Awards. Eighty-seven…
With the announcement that the Corporation for Public Broadcasting (CPB) will be closing down operations after the elimination of its federal funding, we at…
Ada Tseng says she partially wrote the book, Breaking Into New Hollywood: A Career Guide to a Changing Industry (Simon and Schuster), for Asian…
With Congress’ vote to approve the rescissions request, we at CAAM would like to express our deep disappointment with the decision to eliminate previously…
Nearly 4,000 people packed the theaters for four days of film programming in San Francisco! We had three sold-out CAAMFest screenings including Opening Night…
We are proud to announces Don Young as the Center for Asian American Media’s new Executive Director. After a nationwide search led by our…
If you’re not immediately familiar with the name David Henry Hwang, you’re likely familiar with his work. The legendary playwright has made waves for…
Bitterroot is a film that delves into the quiet yet profoundly emotional life of Lue, a Hmong man grappling with the aftermath of a…
Third Act, the latest film from second-generation documentarian Tad Nakamura turns the lens inward, exploring his own father exploring Robert Nakamura’s story with remarkable…
The 2025 Academy Awards are coming up and with it, we reflect on the year’s films and the state of Asian and Asian American…
Clear your calendars! CAAMFest will take place May 8-11, 2025 during San Francisco’s Asian American and Pacific Islander Heritage Month. The completely in-person program…
U.S. Muslim narratives shine at The Muslim House with panel programs highlighting new directions in filmmaking