“As our home movies show, we enjoyed going to Hawaii to visit family in the summer and play on the beach. My mom, Florence, was raised in a rural town on the Big Island, where her grandparents moved to from Japan in 1899 to work as “cane cutters” on the sugar plantations. Florence left the islands to attend college in Iowa before getting her master’s degree in education at Pepperdine and working as a public school teacher in Hawthorne for more than three decades. (Her father Masao attended the Illinois Institute of Technology and thought so highly of his education, he sent his three children to the midwest for college.)
My dad, Mason, was born in Los Angeles to parents from Japan. In 1942, at the age of 7, he and his parents and five sisters were forced to relocate to Manzanar, the first of the ten concentration camps that incarcerated Japanese Americans during World War II. (Mason was photographed by Ansel Adams in front of a church at Manzanar, later published in Adams’ book Born Free and Equal.) Mason put himself through college at Cal State Northridge, then got his master’s in social work at the University of Hawaii at Manoa.
Mason and Florence got married and had one son, Gavin, whose childhood was filled with basketball and baseball teams – coached by his father – and music and science classes – supported by his mother – and family trips near and far, recorded and photographed to remember.”
While most of the footage in the Memories to Light archive is brought to us by friends of CAAM or families looking to archive their home movies, we’ll occasionally receive footage from other sources. The San Francisco Media Archive, Premiere Pictures International, Inc, and StoryCorps staff have all generously donated footage to Memories to Light. These “orphan films” that we have in our archive lack the context or family detail that the other films do have—there aren’t any names, dates, or locations written on the reels, making it much harder for us to identify the subjects of the home movie.
One of the “orphan films” in our collection was brought to us by film preservationist Ron Merk. It features a Japanese American family living in San Francisco in 1939. Originally found on a reel of 16mm Kodachrome, Merk shared the footage with us, and we are now looking for the family featured in the video. The film begins with a panning shot of a large family, young and old, gathered in a living room, facing the camera and preparing to take a picture. The camera pans again and we see that there is much laughter and joy in this house. The film also features the family taking a walk together through the Elephant Towers on Treasure Island at the 1939-40 Golden Gate International Exposition, and there seems to be a large number of family members featured. Later, we see the family having Christmas dinner and opening presents together. There is also a part of the film that shows the main family shaking hands with a long line of people. Throughout the home movie, the recorder pans back and forth across their family to include as many people in the frame as possible.
The film could have been misplaced or lost during the incarceration of Japanese Americans, as many people were displaced, losing their homes and many of their possessions.
“[The film]’s in perfect condition,” Merk wrote. “We look at the information that comes from the seller or donor. In this case, all we had was that this was a San Francisco-based Japanese family in 1939. We then looked at the film can for markings. There were none. The film, itself, offered only one clue—the year the film stock was made. On the edge of most film stocks are little symbols, and these told us the year was 1939. We also look for names or signs or little title cards in the film, that might help in identifying who is in the film. In this case, there were none. So, what we have is a mystery to solve. This is why we brought the film to CAAM, to see if there was some means of reaching out to the community to find the family whose descendants might want to be re-united with these memories. The film was shown last September 26th at a CAAM show and exhibit at the Asian Art Museum. We posted some photos and contact information in one of the galleries, but to date, we have not found the family.”
Families become separated from their footage in many different ways, whether it happens after the passing of a family member, or through a moving or garage sale, or if they are just thrown away. And that’s not all, according to Merk. “There’s the whole myth of saving them by digitizing them. People take their films to Costco or some transfer service, make DVDs and then dispose of the film….The films, if properly preserved in a temperature and humidity controlled vault, should last 100 years or more. We have that much history with film, and that’s the basis of that assumption. So, if people want to ‘get rid of those old films’ because it’s too hard to project them, or they don’t want them any more, they need to make some attempt to get them to a professional archive and ask for help.” (Read the full Q&A with Ron Merk here).
What makes these home movies significant is not only that they are a visual representation of “life as it was,” but that their specific stories are moving and intimate. It’s our mission to reunite these families and their footage, as well as using each family’s stories to build a deeper understanding of an Asian American history.
If you recognize any of the people in either of these films, let us know! Email us at email@example.com.
If you or your family would like to digitize and archive your home movies, please fill out an application form here. If you have unidentified footage in your possession, let us know and we’d be happy to work with you to digitize and identify it. We’re always looking for more films to be added to the archive.
—Jasmine Lee Ehrhardt
JOIN US for Holiday Home Movie Day Saturday, December 6 in Oakland, CA.
HOLIDAY HOME MOVIE DAY (FREE)
December 6, 2014
Temescal Arts Center
511 48th street, Oakland, CA 94609
This holiday season share the gift of home movie memories! Warm up by the light of the projectors! Bring your family and friends to Home Movie Day, an annual event that is celebrated all over the world to share and learn how to preserve your home movies.
Co-organized with the Center for Asian American Media (CAAM), Pamela Vadakan and Antonella Bonfanti, we will have an open screening of *your* small gauge home movies on the big screen, followed by a holiday party and montage of Asian American holiday home movie treasures from CAAM’s “Memories to Light” collection. The event features musical act Mano Dio Gracias and Jesse Micek of The Wildlife and is free for the public.
2pm-3pm Film check in
3pm-5pm Open screening – see your home movie on the big screen!
5pm-6pm Holiday drinks & treats
6pm Center for Asian American Media presents Asian American holiday home movies from the Memories to Light collection
Submit your films early! We are accepting submissions at the CAAM offices in San Francisco or UC Berkeley Library in the East Bay, Monday through Thursday, 11am-5pm. Email Davin Agatep (firstname.lastname@example.org) for SF drop-offs and Pamela Vadakan (email@example.com) for East Bay drop-offs.
On December 6th, bring your films to the Temescal Arts Center between 2pm and 3pm.
All submissions will get the white glove treatment and be inspected by film archivists to make sure it is safe to project. Films are first come, first screened and may be limited to one reel per person.
No home movie will be turned away. Bring your family films or home movies you might have found in a thrift store. We love surprises!
How did you come across this footage?
This footage was being offered for sale on eBay, where we look every day to find items to add to our expansive collection of culturally and historically significant home movies (our preservation initiative on which we’re working with The Academy of Motion Picture Arts and Sciences Film Archive). Because films that show San Francisco are in high demand, as are any films that feature celebrities or unique events, the bidding was very spirited for this material, and we made a decision to buy it, no matter the cost. Films of Asian families in San Francisco during the year of this film (1939) are very rare. This film is also 16mm Kodachrome, which is an amazing film stock that has long term survival of it’s color.
What are some of the things that you look for in identifying parts of this archival footage?
As part of our preservation inspection, we look at the information that comes from the seller or donor. In this case, all we had was that this was a San Francisco-based Japanese family in 1939. We then looked at the film can for markings. There were none. The film, itself, offered only one clue, the year the film stock was made. On the edge of most film stocks are little symbols, and these told us the year was 1939. We also look for names or signs or little title cards in the film, that might help in identifying who is in the film. In this case, there were none. So, what we have is a mystery to solve. This is why we brought the film to CAAM, to see if there was some means of reaching out to the community to find the family whose descendants might want to be re-united with these memories. The film was shown last September 26th at a CAAM show and exhibit at the Asian Art Museum. We posted some photos and contact information in one of the galleries, but to date, we have not found the family. So anything that can be done to get the photos out to the world, and ask people to contact us, would be a great help in reuniting these films with the family. They can e-mail me directly at firstname.lastname@example.org.
Was there anything that stood out to you in this reel of footage?
There were a number of things that made this footage unique, in my opinion. First of all, it’s in perfect condition. It’s San Francisco, 1939, and it features a Japanese American family. They were most likely quite well-off financially, and very much absorbed into American life. The first half of the film is them celebrating Christmas at home, complete with a Christmas tree, gifts and a table set for the holiday. Second, they were extremely well-dressed. They also had Caucasian and Chinese guests at their dinner. The second part is the family visiting the 1939 Fair on Treasure Island. Again, dressed in all their finery, and enjoying the flower exhibition. I have seen no other films of Asians at this fair. Also keep in mind that just a few years after the date of this film, Japanese families were forcibly detained as enemy aliens in dreadful camps like Manzanar. It would be interesting to learn what happened to this apparently quite affluent family.
How often do you come across unidentified home movies as a film preservationist?
Most home movies that we find, buy or locate are without much in the way of written history or provenance. So, we’re often solving the mystery of the film’s subject matter and source.
How do families get separated or lose their home movies? Is this common?
When families come to us, they are much more helpful with information. But often, they can only tell us, “my grandfather shot these films, ” and that’s about all we get from them, unless they can identify the people in the film. Now here’s the scary part of what’s happening to home movies. When the people who made them die, often they are sold at garage sales to dealers, or thrown away. So much is being lost because of this. Then there’s the whole myth of saving them by digitizing them. People take their films to Costco or some transfer service, make DVDs and then dispose of the film. That film is the only thing that will last for many years. DVDs….well, no one knows for sure how long they last. Equipment and technology changes, so much will be obsolete in 5 years. That means losing films and memories. The films, if properly preserved in a temperature and humidity controlled vault, should last 100 years or more. We have that much history with film, and that’s the basis of that assumption. So, if people want to “get rid of those old films” because it’s too hard to project them, or they don’t want them any more, they need to make some attempt to get them to a professional archive and ask for help. That’s why we began our Preservation Project Partnerships, and have saved more than 400 collections so far.
What are some of the steps that you or I can take in reuniting families with their “lost” footage?
Re-uniting families with their lost memories is a new area of endeavor for us. The 1939 Japanese family footage is our first attempt at doing this, and so far, we’ve been un-successful. Once the connections between film and memories are lost, these images become ghosts. It’s our hope that we can bring the images back to life, and re-unite them with the families whose lives are portrayed in the films. So, we are reaching out and asking people to look at the film or photos, and tell us if they recognize anyone in the film (made 75 years ago) and if any of that family’s descendants are still around. We want to talk to them, maybe even videotape them talking about the people who appear in this amazing piece of history, and let us know what happened to then and the family. We would then add this information to the material, and make it available for the world to see again.