San Francisco Native Crystal Kwok Examines the Chinese Experience During the Jim Crow South in ‘Blurring the Color Line’
New documentary amplifies the “silent spaces” in America’s Black and white conversations about race
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Hindsight Filmmaker Amman Abbasi Captures a Story of Immigration During the Pandemic in “Udaan”
Leaving home to attend college can be a stressful, daunting experience under the best of circumstances. But for Baneen Khan, it was a life-changing…
Hindsight Filmmaker Kiyoko McCrae Keeps Her Focus Close to Home in “We Stay in the House”
What does it really look like when mothers are responsible for doing both professional work and the labor of raising kids and overseeing their…
Firelight Media, Reel South, and CAAM Announce Filmmakers Selected for the Hindsight Project
“We as a nation are revisiting the complicated racial narratives of the United States, and it is important to recognize that Asian Americans are and have long been a part of the South,” says CAAM Executive Director Stephen Gong. “CAAM is pleased to partner on this project to bring these diverse documentaries to public media that represent a more authentic portrait of the regional South.”
Why Asian American Representation Matters, Even in the South
Read Anita Sugimura’s first person account of being an Asian American filmmaker in the rural South, part of CAAM’s initiative to support Asian American filmmakers in the American South.
Saleem Reshamwala Explores Ideas in the American South and the Globe
“Staying in the South is an opportunity to be part of a wave of Southern storytellers coming from a perspective that hasn’t been seen much on the national level. “
Apply Now For The Sauce – Fellowship for Emerging Asian American Filmmakers in the South
Calling all emerging Asian American Filmmakers in the South! The Sauce Fellowship will support filmmakers to produce a documentary short focusing on Asian American experiences in the U.S. South. Apply by November 15, 2020
CJ Hunt Explores Race in America, and His Own Life
“I’m able to enter and ride that privilege for access (to) certain spaces. You know, so when characters in the film, talk about Blacks, it is clear that they don’t believe that the person they’re talking to is Black.”