Peilin Chou on bringing cultural authenticity to DreamWorks Animation and Pearl Studio’s “Abominable”
To Chou, she defines authenticity as truth rendered through an intimate understanding of character and setting, both inside and out.
To Chou, she defines authenticity as truth rendered through an intimate understanding of character and setting, both inside and out.
ALL IN MY FAMILY, now streaming on Netflix, is a deep look at Hao Wu’s family accepting his gay identity.
Join us before the screening of “Plastic China” as part of SFMOMA 101: China, Film, and Society.
“Hooligan Sparrow” has been nominated for a Peabody Award.
Join CAAM and filmmaker Nanfu Wang at our screening.
Jennifer Yuh Nelson discusses her early memories of drawing with her sisters, Asian and Asian American actors in the film, and how her own life parallels Po’s.
“China Now: Independent Visions, presented by Cinema on the Edge,” celebrates the daring spirit and creative innovation of independent filmmakers, festival organizers, and grassroots distributors in mainland China. The international tour kicks off in San Francisco.
CAAM is proud to co-present Mei-Juin Chen’s The Double Life of Li XiangLan on Saturday August, 1st from 2-4 pm at Samsung Hall in the Asian Art Museum.
The 1927 film was long thought lost until 2011. The film screens at the San Francisco Silent Film Festival on May 29.
Join CAAM and Asia Society Northern California on Thursday, April 30 at the Ninth Street Independent Film Center for a screening of “Nowhere to Call Home: A Tibetan in Beijing,” a new film by Jocelyn Ford.
Oscar Award-winning director Ruby Yang is back with an emotional documentary, “My Voice, My Life,” playing during CAAMFest Saturday, March 21 at the New Parkway Theater.
The 5-part series is hosted by conservationist M. Sanjayan.