The first full day of life as a student delegate consisted of very cinematically and contextually rich works including the stark Dooman River and numerous short films from the collection Life, Interrupted.
The greatness of a people is best measured by the heights to which it raises its loved ones. By that standard, there is no stronghold of greatness within any country – greatness is shared by all the peoples of the world, because we all share in inspiration and interdependence. We raise each other in stories and example.
Watch a Live Stream of Look Who’s Laughing Now Panel
We managed to visit the tropical beaches of Hawaii, the desolate ice wastelands of China, and also discuss the future of Vietnamese cinema with Vietnam’s own “Bradalinga”—Ngo Tranh and Johnny Tri Nguyen—which shows the incredible diversity of Asian and Asian-American films in the 29th annual San Francisco International Asian American Film Festival.
Watch a Live Stream of Up Close and Personal with the Asian American Industry: Season 2
The light goes dim, the music takes over and the images start to flicker on the screen. The audience gets immersed in the stories. Giggle, silence, disturbed, mixed emotions spread the auditorium.
CAAM worked with director Tanuj Chopra to create this short piece that humorously highlights this year’s festival’s focus on South Asian films and filmmakers.
UPDATED: Thanks to our friends at Verizon and FilmFest making direct donations for disaster relief efforts through cell phone texting and a smartphone app is now available.
The ten-day SFIAAFF kicked off last night with the opening movie WEST IS WEST followed by the Opening Night Gala at the Asian American Art Museum.
If you have an Android phone you can now download the FilmFest SFIAAFF app. Keep in the know while you’re on the go at the festival.
Ah, opening night….Rebellious boy feels out of place and defiant his whole life, and is finally reacquainted with long-lost relatives; the devalued, underappreciated history of his people is celebrated and finds an honored place in his heart.
Director Narissa Lee talks about shooting “guerilla-style” on the Muni train for her short film THE BUS PASS.