Last Friday, I made the trek from the bay to sunny LA to check out the Transmedia, Hollywood 2: Visual Culture and Design conference at the UCLA film school. This conference brought together an interesting collection of screenwriters, theme park creators, production designers, executive producers and media scholars to discuss Transmedia Storytelling.
Michella Rivera-Gravage, CAAM’s Director of Digital and Interactive Media was part of a panel at NAMPC on November 13.
Under the theme “Build Your Own World,” ZER01 will present over the course of 4 days, from September 16-19, hundreds of artworks, performances, events, and artist talks, which not only imagine the future of the world, but begin to build it.
Time, indigeneity, ideology, and audience are all touch upon in vlog #3 of our series on the The 56th Annual Flaherty Film Seminar. This video covers day 4 of our experience at Flaherty and features Amalia Cordova, Flaherty board member and programmer at the National Museum of the American Indian, as well as Filmmakers Akosua Adoma Owusu and Michael Glawogger.
Here is the next post in our series on the The 56th Annual Flaherty Film Seminar. This video covers day 3 and we were getting into the swing of things. Christine and I interviewed filmmaker Kazuhiro Soda, director of MENTAL and the CAAM distributed film, CAMPAIGN.
The 56th Annual Flaherty Film Seminar took place recently in upstate New York June 19-25, 2010. Christine Kwon and Michella Rivera-Gravage had an amazing experience there this year. Check out our video blog!
CAAM Board Member, Konrad Ng talks about the portrait of American through film, the 2010 Census, and the inevitability of a profound demographic shift.
The National Alliance for Media Arts and Culture invites you to join us in Boston from August 26 – 29 for Commonwealth, NAMAC’s biennial convening for media and visual arts leaders, practitioners, researchers, technologists, advocates, scholars, students, funders, and policymakers.
“Hollywood Chinese” by celebrated filmmaker Arthur Dong, is a captivating revelation on a little-known chapter of cinema: the Chinese in American feature films. From the first Chinese American film produced in 1916, to Ang Lee’s
triumphant Brokeback Mountain nine decades later, Hollywood Chinese brings together a fascinating portrait of actors, directors, writers, and iconic images to show how the Chinese have been imagined in movies, and
To access the APA Heritage Month programming, you must be a Comcast customer. All the programs are in Top Picks, then go to Asian Entertainment. Then the programs are in the following files:
Beginning May 1, 2009, for the first time ever, the Center for Asian American Media (CAAM) will present over 10 hours of Asian American programming exclusively through Comcast On Demand in recognition of Asian Pacific American Heritage Month.
New America Media invites, and is now accepting, submissions of outstanding ethnic media coverage published in 2008.