Imagining Atrocity: Lu Chuan’s City of Life and Death and the Nanjing Massacre on Film

Imagining Atrocity: Lu Chuan’s City of Life and Death and the Nanjing Massacre on Film. An illustrated talk by Michael Berry, Ph.D., UC Santa Barbara Contemporary Chinese Cultural Studies

city_blogImagining Atrocity: Lu Chuan’s City of Life and Death and the Nanjing Massacre on Film

An illustrated talk by Michael Berry, Ph.D., UC Santa Barbara Contemporary Chinese Cultural Studies

Wednesday, 10 March, 2010; 5:45 PM
Fromm Hall, USF Main Campus
(Enter off Parker between Golden Gate & Fulton)

On December 13, 1937 the Japanese army entered the Chinese capital of Nanjing, beginning a six week slaughter where an estimated 300,000 Chinese citizens were killed. The incident was largely marginalized in the west (until the 1997 publication of Iris Chang’s bestselling The Rape of Nanking) and consistently underplayed in China for political reasons. In China, it was not until the mid-eighties, when the Nanjing Massacre suddenly began to reenter Chinese public discourse and popular consciousness (via a changing PRC political agenda), that a handful of celluloid depictions of the Rape of Nanjing began to grace theaters and classrooms in China. This talk will trace the evolution of the Nanjing Massacre through popular culture, with special attention to cinema and television. From Luo Guanqun’s 1987 film Massacre in Nanjing (Tucheng xuezheng) to Lu Chuan’s landmark 2009 film CITY OF LIFE AND DEATH, (NANJING! NANJING!), Professor Berry will explore the intermingling of history, politics and the cinematic imagination of the Nanjing Massacre in contemporary China.

Michael Berry is associate professor of contemporary Chinese cultural studies at the University of California, Santa Barbara. He is the author of Speaking in Images: Interviews with Contemporary Chinese Filmmakers (Columbia, 2005; Rye Field, 2007; Guangxi Normal University Press, 2008), A History of Pain: Trauma in Modern Chinese Literature and Film (Columbia, 2008, Rye Field,. 2010) and Jia Zhangke’s The Hometown Trilogy (British Film Institute & Palgrave Macmillan, 2009; Guangxi Normal University Press, 2010). He is also the translator of several novels, including The Song of Everlasting Sorrow (with Susan Chan Egan) (Columbia, 2008), To Live (Anchor, 2004), Nanjing 1937: A Love Story (Columbia, 2002, Anchor, 2004, Faber & Faber, 2004), and Wild Kids: Two Novels about Growing Up (Columbia, 2000).

Chiho Sawada, Ph.D., Director of the Japan Policy Research Institute at the Center for the Pacific Rim, will moderate.

FREE & OPEN TO THE PUBLIC. Reservations recommended; call (415) 422-6828. City of Life and Death will screen on Wednesday, March 17 at 9:10pm at the Kabuki Sundance Theaters in San Francisco, and on Friday, March 19 at 9:10pm at the PFA in Berkeley. To purchase tickets visit the Film Festival site.

Cosponsored by the San Francisco International Asian American Film Festival, and the Fromm Institute for Lifelong Learning.

For more information please visit: http://www.pacificrim.usfca.edu